Natsuko Sakamoto

Natsuko Sakamoto (b. 1983 Kumamoto Prefecture, Japan, lives and works in Tokyo) is a painter who pursues a unique methodology for structuring her paintings, by imposing rules and conditions on herself when producing her artworks. Through these self-imposed rules, she dares to limit the freedom of her creative process and experimentally creates a pictorial space that goes beyond her expectations and ventures into the unknown, by embracing elements that could be considered errors or mishaps. Sakamoto explains that this is also a challenge to create a new model of thinking in painting that escapes from modern society’s emphasis on optimal results that are based on expectations.
 

Sakamoto paints in sections, without making preliminary sketches on the canvas. She believes that “every move is a turning point” in the painting process. In principle, she does not go back to a previous section, but completes the work piece by piece. Under this rule, distortion naturally occurs in the painting space as the plastic elements proliferate on the canvas. Sakamoto's most famous work is a distorted space covered with tiles, a characteristic element of her early paintings, in which women who look like her alter egos are portrayed. In recent years, Sakamoto has been deepening her approach to painting in a more theoretical manner, with particular attention to the figurative experiments on form production by various artists in the past.


Sakamoto graduated from Aichi Prefectural University of the Arts with a MFA and a DFA in Oil Painting.